The Jewess That Hooked White European Women On ‘Stripper Boots’

“Jew Reuben Sturman is the “father of porn” according to the U.S. Department of Justice. Throughout the 1970s Sturman controlled the vast majority of the pornography circulating in the country. By the mid-80s he owned over 200+ adult bookstores. It was said that Sturman did not simply control the adult-entertainment industry, he was the industry.” – FreudsMafia.com, p. 116

“Is there a deeper reason beyond the mere financial as to why Jews in particular have become involved in porn? Pornography thus becomes a way of defiling Christian culture. Jewish involvement in porn by this argument is the result of an atavistic [genetic] hatred of Christian authority. They [Jews] are trying to weaken the dominant culture in America by moral subversion.” – Jewish Quarterly, winter 2004, Jewish Professor of American history at Aberdeen University in the U.K. Nathan Abrams, FreudsMafia.com, p. 8

“The only reason that Jews are in pornography is that we think that Christ sucks. We don’t believe in authoritarianism.” Pornography thus becomes a way of defiling Christian culture and, as it penetrates to the very heart of the American mainstream.” – Jewish Pornographer Al Goldstein, FreudsMafia.com, p. 117

 

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By New York Times, 9/23/2006

Beth Levine, an innovative American shoe designer whose boots, as Nancy Sinatra sang while wearing them, were made for walking, died on Wednesday night at her home in Manhattan. She was 91.

The cause was lung cancer, said her niece, Nan Bush, the wife and producing partner of the photographer Bruce Weber.

Mrs. Levine designed shoes for 30 years under the label Herbert Levine, named for her husband, and was known as America’s First Lady of Shoe Design because of her prominence in 20th-century fashion, and because her designs were worn by the American first ladies Lady Bird Johnson, Patricia Nixon and Jacqueline Kennedy.

She made shoes for Barbra Streisand in “Funny Girl” and the white stiletto boots worn by Nancy Sinatra to sing “These Boots Are Made For Walkin’.” Mrs. Levine had reignited a trend for boots in the 1960’s with her stretchy stocking styles and vinyl Go-Go boots, designed for dancing, (or walking all over you). When Ms. Sinatra released her anthem of women’s empowerment in 1966, she was shown in film made for early video jukeboxes wearing the style from Herbert Levine. The song increased the demand for fashion boots so much that Saks Fifth Avenue opened a corner in its shoe department called Beth’s Bootery.

“She was among the most influential shoe designers of the century,” said Elizabeth Semmelhack, the chief curator of the Bata Shoe Museum in Toronto, who included Mrs. Levine in an exhibition this year called “Icons of Elegance.”

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