“…the apostle [Muhammad] said, “Whoever wants to see Satan let him take a look at Nabtal b. al-Harith!” He was a sturdy black man with long flowing hair, inflamed eyes, and dark ruddy cheeks.” – The Life of Muhammad, pg. 243
“[T]he Negroes found in the remote South, and those who resemble them from among them that are with us in these times. The status of those is like that of irrational animals. To my mind they do not have the rank of men, but have among the beings a rank lower than the rank of man but higher than the rank of apes. For they have the external shape and lineaments of a man and a faculty of discernment that is superior to that of the apes.” – Moses Maimonides (The Great Eagle), revered by Jewish historians, his work comprises a cornerstone of Jewish scholarship and Talmudic law, also figures prominently in Islamic and Arab sciences. A sculpture of Maimonides is in the U.S. House of Representatives
“[The Jews] were the largest ship chandlers in the entire Caribbean region, where the shipping business was mainly a Jewish enterprise. The Ships were not only owned by Jews, but were manned by Jewish crews and sailed under the command of Jewish captains.” – New World Jewry 1492-1825, Seymour Liebman
“In 1820, over 75 percent of all Jewish families in Charleston, Richmond, and Savannah owned slaves. Almost 40 percent of all Jewish households in the United States owned one slave or more”. – United States Jewry 1776-1985, Jacob Marcus, pg. 586. Consider the fact that during this same period, less than 5% of non-Jewish whites in the south owned slaves. Less than 2% of the non-Jewish whites in the whole of America owned slaves, however 100% of the guilt is ascribed to non-Jewish whites, through Jewish controlled media.
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by American Renaissance
This is the 35th anniversary of the ground breaking television miniseries, Roots. Based on Alex Haley’s wildly successful novel, Roots: The Saga of an American Family, the epic miniseries starred an ensemble cast—several members of which recently visited with Oprah Winfrey on her new network (OWN) to commemorate this occasion.
Black thinker Thomas Sowell, who has written prolifically on race and slavery, makes the same point as Crouch—even if not quite as bluntly. Regarding the Trans-Atlantic slave trade, Sowell remarks that Roots “presented some crucially false pictures of what had actually happened—false pictures that continue to dominate thinking today.”
For instance, “Roots has a white man leading a slave raid in West Africa, where the hero, Kunta Kinte [supposedly, Haley’s ancestor] was captured, looking bewildered at the chains put on him as he was led away in bondage.” Moreover, even “the village elders” likewise appeared perplexed by the sight of these “white men” who were “carrying their people away.” In glaring contrast to this depiction, Sowell correctly asserts, the location from which Kunta Kinte was taken—West Africa—had been “a center of slave trading before the first white man arrived there—and slavery continues in parts of it to this very moment.” He adds: “Africans sold vast numbers of other Africans to Europeans. But they hardly let Europeans go running around in their territory, catching people willy-nilly” (emphasis added).
In the late 1960’s, Harry Courlander—a white man—composed The African, a fictional work about a young African boy who is captured, made to endure the horrors of the mid-Atlantic passage, and eventually sold into slavery in America. In 1978 he sued Haley for plagiarism. Upon expressing regret that at least 81 passages were lifted virtually verbatim from Courlander’s novel and recast in Roots, and upon the Judge’s unambiguous finding that Haley was guilty of plagiarism, Haley agreed to an out of court settlement whereby he would pay Courlander $650,000 (roughly 2 million dollars in today’s terms).
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